- Drawing or staging. Unlike studio or glam photography, photojournalists are not supposed to be “directing” a crime scene. The photo should be an accurate depiction of what happened. I have witnessed this once. A photojournalist, at he was back then, asked one of the protesters in a rally to move closer to where he was standing so he could capture a more “provocative” frame. This practice, by the way, is frowned upon by professional photojournalists.
- Post production alterations. This is where photoshop or other photo editing apps comes in. Sometimes photojournalists would think a column of smoke from a burning building isn’t quite fluffy or big enough they’d clone that column of smoke and paste it on the same frame. There have been times also when photojournalists introduce another subject from an old photo and pass it off as one frame.
- Inaccurate captioning. It’s quite unfortunate that people in this administration’s communication team have been fooling us with foreign photos with inaccurate captioning, as what we have been witnessing lately. We have also seen our “friends” on Facebook posting photos of bomb victims in the past and captioned it as happening (read: ATM) currently in Marawi City. As in news articles, the captioning the real date of when the photo was captured is also of the same import.
- Shadows. I summarize photography as the art of taming shadows and light. Look for inconsistencies in the subjects’ shadow in the photo. For example, if the shadow of a man in the photo is leaning at a 45 degree angle, every thing else in the frame should have the same 45 degree angle-leaning shadows.
- Light source. Inversely from shadows, the light source of the whole frame should be global. The bounce of the light source on the subjects in the frame should be consistent with the shadows these set. This means the light source should be at the opposite end of the subject’s shadow.
- Discoloration. This usually happens when a subject introduced to a photo is a clone of a subject from a different photo. If you can see discoloration on the edges of a subject in a photo (read: inconsistent color from the main frame), chances are the photo has been manipulated with a photo editing software.
- Pixilation. This is akin to the presence of discoloration in a photo, except that instead of color inconsistency there’s inconsistency in pixels of the photo. This happens when the photo editor clones a subject from a different photo and placing it on a new photo without considering the image size (read: dots per inch or pixels per inch) of the photo the photo editor cloned it from.





